捷克斯洛伐克60年代新浪潮电影二十五面体
简介:

  The 2-part feature-length documentary "25 ze šedesátých aneb Československá nová vlna" ("25 from the Sixties, or Czechoslovak New Wave") presents a complex view of the phenomenon of Czech and Slovak New Wave in the cultural and social context of the 60's. 25 fundamental films commented on by their makers and film historians offer the viewer a dramatic insight into the golden era of Czechoslovak cinema.
  The documentary is a follow-up on the biographical TV series "Zlatá šedesátá" (Czech Television, 2009), based on the filmmakers' personal remembrances. As opposed to the series, the documentary presents the Czech and Slovak cinema of the 60's in the national, international and also inter-generational context. It describes the ways the New Wave crossed the existing artistic boundaries, how it variegated the world cinema and where it left an ineffaceable impression. It analyses the work of filmmakers in a state-funded cinema, under the pressure of ideological demands on one hand and commerce on the other. It presents the dilemma of a man - an artist - on the edge between contradictory social systems and incongruous aesthetic requirements. The existential drama of a man acting freely and at the same time mercilessly crushed by the wheels of the system.
  The 60's are, from this point of view, mostly an era of fortunate historical constellation, not only in - at that time - Czechoslovakia, but on a world-wide scale. An era of expectations and upswing, but also an era of exemplary human decisions and artistic pursuit. Those are some of the things "25 ze šedesátých aneb Československá nová vlna" wants to commemorate.
  Part 1 comments on:
  ■"Slnko v sieti" ("The Sun in a Net," 1962) by Štefan Uher
  ■"Konkurs" ("Audition," 1963) by Miloš Forman
  ■"Křik" ("The Cry," 1963) by Jaromil Jireš
  ■"Postava k podpírání" ("Joseph Kilian," 1963) by Pavel Juráček Jan Schmidt
  ■"Každý den odvahu" ("Courage for Every Day," 1964) by Evald Schorm
  ■"Démanty noci" ("Diamonds of the Night," 1964) by Jan Němec
  ■"Intimní osvětlení" ("Intimate Lighting," 1966) by Ivan Passer
  ■"Ať žije republika" ("Long Live the Republic," 1965) by Karel Kachyňa
  ■"Obchod na korze" ("The Shop on Main Street," 1965) by Ján Kadár Elmar Klos
  ■"Romance pro křídlovku" ("Romance for Bugle," 1966) by Otakar Vávra
  ■"Sedmikrásky" ("Daisies," 1966) by Věra Chytilová
  ■"Ostře sledované vlaky" ("Closely Watched Trains," 1966) by Jiří Menzel
  Part 2 comments on:
  ■"Kristove roky" ("The Prime of Life," 1967) by Juraj Jakubisko
  ■"Stud" ("Shame," 1967) by Ladislav Helge
  ■"Svatba jako řemen" ("A Hard and Fast Marriage," 1967) by Jiří Krejčík
  ■"Drak sa vracia" ("Dragon's Return," 1967) by Eduard Grečner
  ■"Marketa Lazarová" ("Marketa Lazarová," 1967) by František Vláčil
  ■"Spřízněni volbou" ("Elective Affinities," 1968) by Karel Vachek
  ■"Spalovač mrtvol" ("The Cremator," 1968) by Juraj Herz
  ■"Zabitá neděle" ("Squandered Sunday," 1969) by Drahomíra Vihanová
  ■"Pasťák" ("The Decoy," 1968) by Hynek Bočan
  ■"Případ pro začínajícího kata" ("Case for a Rookie Hangman," 1969) by Pavel Juráček
  ■"322" ("322," 1969) by Dušan Hanák
  ■"Slávnosť v botanickej záhrade" ("Celebration in the Botanical Garden," 1969) by Elo Havetta
  ■"Všichni dobří rodáci" ("All My Good Countrymen," 1968) by Vojtěch Jasný

猜你喜欢
换一换
自梳2010
485
1.0
HD
自梳2010
1.0
更新时间:06月26日 12:54
主演:未知
简介:

  自梳
  拍摄地点:广东佛山
  作者:骆仪
  录音:赖格贤
  参展纪录
  2010英国Exposures电影节 最佳纪录片提名
  2010波兰Aspekty视觉人类学电影节
  2010约旦短片节
  2010印度马杜莱国际纪录片与短片节
  2011印度国际女性电影节
  2011土耳其国际Filmmor女性电影节
  2011爱沙尼亚Worldfilm塔图视觉文化电影节
  2011英国RTS皇家电视学会学生电视大奖
  2011云之南纪录影像展
  这是一个关于抉择的故事。清末民初,在二十几岁时,面临顺从父母之命还是立誓终身不嫁的选择,广东地区的不少女性都选择了后者。已立誓的姊妹帮她们挽起发髻,她们成为了“自梳女”。自梳女不做家庭妇女伺候丈夫和孩子,而是在工厂劳作半生,在养老院度过晚年,一生独立。如今,仍健在的自梳女大多年届九十。回首一生,她们的讲述里有骄傲、有孤独,但无悔:“那会儿时兴自梳!”
  作者阐述
  自梳女现象曾广泛存在于清末民初的广东地区,是经济发达、民风开放与传统观念多种因素杂糅的结果,在解放后消失。如今仍健在的自梳女已寥寥可数。作为在广东长大的女性,我从小听说“自梳女”的故事,一方面是要抓住最后的机会把这种独特的现象和她们的人生故事记录下来;另一方面,有感于当今社会仍然以婚姻状况给女性贴标签(如“剩女”),想要讲一个古老的故事引起一些思考。大部分“自梳女”识字有限,并不知道什么是女性主义,但她们的独立意识和自尊心非常强。而她们对誓言的坚守,到底是独立还是传统?是固执还是看透?这种选择是对是错?在生命接近终点时如何看待年轻时做出的选择?我在片子里问了许多问题,她们的回答要比我想象的简单得多,拍完后我却感到这些问题更难回答了。
  骆仪:
  八零后,曾于广东某报担任记者编辑数年,2009年赴英国伦敦学习纪录片制作,现居北京。
  作品年表
  自梳(2010)

244
2010
自梳2010
主演:
数据的乐趣
719
3.0
HD
数据的乐趣
3.0
更新时间:06月26日 10:27
主演:Hannah Fry
简介:

  A witty, exhilarating and mind-expanding exploration of the word of our times - data - with mathematician Dr Hannah Fry. Following in the footsteps of BBC Four's previous gleefully nerdy, award-winning maths films The Joy of Stats, Tails you Win - The Science of Chance and The Joy of Logic, this new high-tech romp reveals exactly what data is and how it is captured, stored, shared and made sense of. Fry also tells the story of the engineers of the data age, people most of us have never heard of despite the fact they brought about a technological and philosophical revolution.
  For Hannah Fry, the joy of data is all about spotting patterns. She's Lecturer in the Mathematics of Cities at UCL as well as being the presenter of the BBC series Trainspotting Live and City in the Sky, and she sees data as the essential bridge between two universes - the tangible, noisy, messy world that we see and experience, and the clean, ordered, elegant world of maths, where everything can be captured beautifully with equations.
  Along the way the film reveals the connection between Scrabble scores and online movie streaming, explains why a herd of Wiltshire dairy cows are wearing pedometers, and uncovers the remarkable network map of Wikipedia. What's the mystery link between 'marmalade' and 'One Direction'?
  The Joy of Data also hails the giant contribution of Claude Shannon, the American mathematician and electrical engineer who, in an attempt to solve the problem of noisy telephone lines, devised a way to digitise all information. It was Shannon, father of the 'bit', who singlehandedly launched the 'information age'. Meanwhile, the green lawns of Britain's National Physical Laboratory host a race between its young apprentices in order to demonstrate how and why data moves quickly and successfully around modern data networks. It's all thanks to the brilliant technique first invented there in the 1960s by Welshman Donald Davies - packet switching - without which there would be no internet as we know it.
  But what of the future, big data and artificial intelligence? Should we be worried by the pace of change, and what our own data could and should be used for? Ultimately, Fry concludes, data has empowered all of us. We must have machines at our side if we're to find patterns in the modern-day data deluge. But, Fry believes, regardless of AI and machine learning, it will always take us to find the meaning in them.

777
2016
数据的乐趣
主演:Hannah Fry
评论区
首页
电影
电视剧
综艺
动漫
伦理