对话杀人魔：山姆之子访谈录

　　Just over 40 years ago, marriage in China was arranged by the state. Romantic love was seen as a capitalist concept and was not allowed during this period. Wedding photography (if any at all) consisted of one black and white passport photo of the couple (dressed in Mao- style outfits) as proof of the marriage. Now, China has fallen in love with love and its exploding wedding industry is worth 80 billion dollars, and it is on an upward curve. Pre-wedding photography is one of the most significant and curious parts of the industry. Every couple marrying in China will take part in a pre-wedding shoot. It involves several costume and backdrop changes where you can become a character in any fantasy you choose. For the most exotic lo- cations couples pay up to $250,000 AUD. Pre-wedding photo shoots have become an important national ritual. They are proof of the marriage but now also of love, romance, freedom, status, money and the new China Dream. As an expat living in Shanghai with a long history of coming to China, Sinophile photographer Olivia Mar- tin-McGuire was captivated by the construction of dreams through this booming photographic world. Once she started to delve deeper into this new traditional she found a unique window into China. One that revealed a country dreaming, a country rapidly booming and a country reconstructing its recent past trauma all through their own lens. China Love takes us on a wild journey into the warmth of the family web in China into the hearts of our characters and into their personal dreams with an understanding of why and where these aspirations come from. The project explores China's new position as a globalised country from its restrictive and highly traditional past - through the window of its booming wedding industry and asks what is the new China Dream when it comes to love.

　　本片探讨了民俗恐怖这一主题，以迈克尔·里夫斯的《驱魔降邪》（1968）、皮尔斯·哈格德的《撒旦之鸦》（1971）和罗宾·哈迪的《异教徒》（1973）为起点，民俗恐怖文化经历了 1970 年代在英国电视上的扩散，以及在美国、亚洲、澳大利亚和欧洲恐怖片中的特定文化呈现，直到过去十年该类型又经历了复兴。本片涉及 100 多部电影和 50 多位受访者，调查了我们自身试图在我们的环境中寻找精神共鸣，或庆祝、或掩盖、或操纵我们自己的历史的多种方式。

　　2013年票房大卖的流浪动物电影续篇。

　　叙利亚的平民日日遭空袭重创之际，一群不屈不挠的第一线因应人员冒着生命危险，从瓦砾堆中救出受害者。

　　记录许多着名摄影师的访谈，畅谈他们对摄影的看法，以及他们在参与拍摄电影过程，与各个导演合作的经验。片中并穿插经典片段，对映摄影师的说法，让一般观眾能更了解摄影师的工作与贡献。
　　严格来说，这并不是一部电影，应该说是“关于电影的纪录片”更合适。在这部电影中 ，我们也能发现以上介绍过的多部影片。例如《梦断情天》的摄影师Nestor Almendros，他在临死之前接受了这部电影的短暂采访。还有《末代皇帝》的摄影师Storaro等人。
　　从某种意义上说，是导演控制摄影师的拍摄手法。例如，《Rosemary's Baby》的导演Roman Polanski，在接受采访时多次提到，有时仅仅需要将摄像机多移动几个厘米，就能使影片的效果得到巨大提升。《In Cold Blood》的导演Conrad Hall，在1967年接受采访时，提到当年是如何选择并搭建了一个牢房，里面囚禁的是Robert Blake扮演的杀人犯，他即将走上绞刑架。雨水不停地打在铁窗上。Hall发现，如果摄像机放在某个特定的角度，雨滴的阴影看上去像Blake脸上的泪水。这个镜头后来成了影院中的催泪弹。
　　这部电影由数百个电影片段组成。影片结束后，你一定会深深地被摄像机背后的灵感和魔法打动。而静态摄影师也将从中获益匪浅。这是一部摄影科教片，数百个片段将指导你如何用光，如何选择合适的色调，如何使你的片子成为经典。
　　这部电影按年代划分为三个部分，第一部分是无声电影年代。第二部分是带旁白的黑白电影时期。第三部分是彩色电影时期。影片最后讨论了如何利用不同的色彩调动观众的情绪。

记录了伊万和查理骑着翻新后的复古摩托车，从伊万在苏格兰的家一路骑到查理在英格兰的家——但他们可不是走最短的路线，而是选择“绕远路”！他们将穿越北海前往斯堪的纳维亚，骑至北极圈，再南下波罗的海国家、横穿欧洲大陆，最终在两个月后跨越英吉利海峡回到家乡。
　　这是一场穿越超过15个国家的冒险旅程，他们将领略壮丽风光，行驶在世界上一些最精彩的驾驶路线中。途中，他们还会深入当地文化，与当地人互动，体验各种独特又有趣的活动。

　　他们让夏日永不停歇。
　　海滩男孩，一个革新流行音乐的传奇乐团，他们具代表性的和声音乐创作象征了加州梦想，掳获了数个世代乐迷的心。

　　Forget all you know or all you think you know - also, what you think you think you know, forget that too. Go deep behind the scenes of the new Willow series from Lucasfilm, and hear from its breakout stars and returning legends. See that magic rekindle, the adventure continue, and the rivalries reveal themselves like never before.—Disney+

　　记录片讲述捉鬼敢死队主题曲作家和乐队主音 Ray Parker Jr 一生的创作历程。

　　一间性健康公司推广「高潮冥想」练习，收获广大名气与拥护者，直到学员公开提出令人心惊的指控。

　　这部影片跟踪记录了著名钢琴家大卫赫夫高特的巡回演出，介绍了他的音乐、古灵精怪的性格以及他与爱妻吉莉恩之间的感情。

We don't see the woman on the train moving through Sichuan, just the trees, rivers, lakes and houses passing by the window, vanishing behind the blur of vegetation, segmented by the tunnels.