623
3.0

章鱼烧之歌

导演:
近兼拓史
主演:
とみずみほ,古和咲紀,澤田俊之,サニー・フランシス,岩井万実,田中良子,武田訓佳,柴田由美子,松岡智子
别名:
未知
3.0
623人评分
日语
语言
未知
上映时间
未知
片长
简介:

  在关西一个小小的小区里住着质朴生活的母女俩。在章鱼烧店工作的母亲和最喜欢打棒球的女儿之间,一直笑声不断。但是,在这样的母女身上竟发生了突发事件——在炎热的酷暑中,空调突然坏了!「现在没什么钱,就再稍微忍耐一下吧」,女儿对这么说的母亲很是怄气。但是当她看到母亲为了自己拼命赚钱的身影,对母亲的体谅之情不禁油然而生。
  这时好运却突然降临到了她俩身上,她们将会如何应对呢…

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O somma luce
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简介:

  转自:http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub
  “The end of paradise on earth.”—Jean-Marie Straub
  The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.
  “O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.
  In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.
  So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.
  During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.
  The mise en scène of what words exactly?
  The process of revealing, “phainestai” “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.
  Is “Straubie” Greece?
  This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich

1645
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主演:Giorgio Passerone
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简介:

  在一个有过共产主义历史的欧式社会中,文化精英和被剥夺选举权的年轻人都看到黑暗力量席卷欧洲。然后,有些人会从不可避免的冲突和随之而来的混乱中受益,例如失意的法律系学生托梅克(马切伊·穆夏洛夫斯基饰),他竭力要引起童年时代的朋友佳比(凡妮莎·亚历山大饰)的注意,获得她的进步家庭的尊重。为了给佳比留下深刻印象,托梅克在一家名声在外但罔顾道德的公关公司工作。他奉命在社交媒体上进行策划,很快发现自己擅长这种肮脏的政治游戏。但他的所作所为是要付出人性代价的。随着托梅克越陷越深,他的人性慢慢丧失,亦不知要如何收拾残局。

6510
2020
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主演:马切伊·穆萨洛斯基,凡妮莎·亚历山大,达努塔·斯腾卡,亚采克·科曼,阿伽塔·库莱沙,马赛杰·斯图尔,亚当·格拉多夫斯基,彼得·比登,耶德杰·维莱基,扬·海恩凯维奇,马提尼克·科尼卡,维多利亚·菲卢斯,皮奥特·赛尔沃斯,马特兹·帕斯维克兹,茱莉亚·维尼瓦-纳基维奇,卡塔基娜·巴吉洛斯卡,维斯瓦夫·科马萨,Natalia Jesionowska,Aleksandra Górska,Michal Jarmicki,Chrystall Friedemann
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